The beloved supernatural comedy manga series, Li’l Miss Vampire Can’t Suck Right (Chanto Suenai Kyūketsuki-chan), is officially set to conclude its serialization with its next chapter, scheduled for release on August 8. The announcement came via the August issue of Kadokawa’s Monthly Dragon Age magazine, bringing to a close a whimsical tale that has charmed readers since its debut. This highly anticipated finale will mark the culmination of a four-year serialization run, offering fans a definitive conclusion to Luna Ishikawa’s quirky journey in mastering her vampiric abilities.
A Beloved Supernatural Comedy Reaches Its End
Since its inception in May 2021, Li’l Miss Vampire Can’t Suck Right has carved out a unique niche within the crowded manga landscape, captivating audiences with its blend of humor, heartwarming character interactions, and a fresh take on the classic vampire trope. Authored and illustrated by Kyōsuke Nishiki, the series has consistently delivered a lighthearted narrative centered around the titular “vampire-chan” who, despite her intimidating lineage, struggles with the most fundamental aspect of her existence: sucking blood. The news of its impending conclusion on August 8 signals a significant moment for its dedicated readership, who have followed Luna’s endearing misadventures across eight compiled tankōbon volumes as of April 2025.
The manga’s final chapter in the Monthly Dragon Age magazine will provide the ultimate resolution to the many comedic and character-driven arcs that have unfolded throughout its serialization. For many series, the conclusion of the manga often paves the way for new beginnings, particularly when other media adaptations are on the horizon. In the case of Li’l Miss Vampire Can’t Suck Right, the ending of the manga coincides with the exciting prospect of an anime television series adaptation, promising to keep the spirit of Luna and Tatsuta’s story alive for fans on a different platform. This strategic timing ensures that the franchise remains vibrant and relevant, transitioning its narrative from print to animation.
The Endearing Premise of Luna Ishikawa’s Journey
At the heart of Li’l Miss Vampire Can’t Suck Right lies its delightful and unconventional premise. The story introduces Luna Ishikawa, a high school student who, outwardly, projects an aura of cool mystery and popularity, befitting her status as a transfer student. However, this façade quickly crumbles when her classmate, Tatsuta Ootori, inadvertently stumbles upon her deeply embarrassing secret: despite being a vampire, Luna is utterly inept at sucking blood. This comical deficiency not only leaves her perpetually hungry but also transforms her into a small, adorable, and almost childlike creature whenever she attempts to feed.
This core “drinking problem” forms the central comedic engine of the series. Tatsuta, a seemingly ordinary background character, becomes an unlikely confidant and, more amusingly, a “practice partner” for Luna. His willingness to offer his blood, often with comical or tender results, for her training sessions establishes a unique and increasingly intimate dynamic between the two. Their relationship evolves beyond mere practice, delving into themes of acceptance, self-confidence, and the unexpected bonds that form through shared vulnerabilities. Luna’s struggle to embrace her vampiric nature while navigating the complexities of high school life and her growing feelings for Tatsuta provides both humor and heartfelt moments. The manga masterfully balances these elements, making Luna’s predicament not just a source of gags but also a pathway for genuine character development. The narrative cleverly uses her “clumsiness” and “short” stature to contrast with the typical powerful vampire image, making her highly relatable and endearing to readers.
Kyōsuke Nishiki’s Vision: Crafting a Modern Vampire Tale
The distinct charm of Li’l Miss Vampire Can’t Suck Right is undeniably rooted in the creative vision of its author and illustrator, Kyōsuke Nishiki. Nishiki’s storytelling demonstrates a keen understanding of comedic timing and character-driven narratives, bringing to life a world where supernatural elements seamlessly integrate with everyday high school antics. The manga’s art style is characterized by its clean lines, expressive character designs, and an emphasis on conveying both the comedic absurdity and the emotional depth of its cast. Luna’s transformations into her “baby vampire” form are particularly iconic, often rendered with exaggerated cuteness that enhances the humor.
Nishiki’s work falls squarely within the shonen demographic, a genre traditionally aimed at young male readers, often featuring action, adventure, and coming-of-age themes. While Li’l Miss Vampire Can’t Suck Right leans more heavily into the “comedy” and “slice-of-life” aspects, its focus on Luna’s personal growth and her journey to overcome her unique challenge aligns well with the shonen spirit of self-improvement and camaraderie. The series subtly explores themes of self-acceptance and finding one’s place, wrapped in a lighthearted, supernatural package. Nishiki’s ability to imbue traditional vampire lore with a refreshing and humorous twist has been a significant factor in the manga’s appeal, setting it apart from more conventional vampire narratives.
Serialization and Publication History
Li’l Miss Vampire Can’t Suck Right commenced its serialization in Fujimi Shobo’s Monthly Dragon Age magazine on May 8, 2021. Monthly Dragon Age is a well-known Japanese shōnen manga magazine, responsible for publishing a diverse range of popular series over the years. The consistent serialization schedule allowed for the story to unfold steadily, building its readership over time. As of April 2025, the series has been compiled into eight tankōbon volumes, a standard format for collecting individual chapters into paperback books for wider distribution and collection by fans. These volumes serve as tangible milestones of the manga’s journey, allowing readers to experience the narrative in a cohesive format.
The series has also expanded its reach beyond Japan through international licensing. Yen Press, a prominent publisher of manga and light novels in North America, announced its acquisition of the English publication rights for Li’l Miss Vampire Can’t Suck Right on February 7, 2025. The first English volume by Yen Press was scheduled for release in July 2025. In parallel, Kadokawa, the Japanese publisher, has been digitally releasing the manga chapters in English on platforms like BookWalker Global since June 2025, making the series accessible to a global digital audience almost concurrently with its Japanese release. This dual approach to English publication underscores the international appeal of Nishiki’s work and ensures that non-Japanese speaking fans can follow Luna’s story as it progresses.
From Page to Screen: The Anticipated Anime Adaptation
Perhaps one of the most exciting developments for fans of Li’l Miss Vampire Can’t Suck Right has been the announcement of an anime television series adaptation. The anime was confirmed on February 4, 2025, and is slated to premiere in 2025, produced by Studio Feel. This adaptation promises to bring Luna and Tatsuta’s comedic adventures to life with animation, voice acting, and a musical score.
The production team behind the anime includes Sayaka Yamai as director, Yuniko Ayana handling the scripts, Takuya Tani on character designs, and Tomoki Kikuya composing the music. Early glimpses, such as teaser trailers, have provided fans with their first look at the anime’s visual style and the voices behind the characters. Minami Tanaka is cast as the voice of Luna Ishikawa, while Kensho Ono lends his voice to Tatsuta Ootori. Fan reactions to these early previews have been overwhelmingly positive, praising the animation for capturing the manga’s “cute and colorful” tone and Luna’s “adorably awkward and relatable” personality.
The timing of the anime’s release, coinciding with the manga’s conclusion, is strategically beneficial. It allows the manga to complete its narrative arc, providing a full story for the adaptation to draw from, while also ensuring that the franchise maintains momentum and remains in the public consciousness. For readers who have followed the manga, the anime offers a new way to experience their favorite characters and story, while also serving as a gateway for new audiences to discover the series. The transition from print to animation signifies the growing popularity and critical recognition of Kyōsuke Nishiki’s creation, solidifying its place within contemporary pop culture.
Reflecting on the Series’ Impact and Legacy
Li’l Miss Vampire Can’t Suck Right may be concluding its serialization, but its impact on its readership and its contribution to the supernatural comedy genre are noteworthy. The series has consistently offered a refreshing and humorous take on vampire lore, moving away from typical dark or dramatic portrayals to instead focus on the lighthearted struggles of a vampire who simply can’t get it right. This unique angle, combined with the relatable themes of awkwardness, friendship, and personal growth, has resonated deeply with its audience.
The manga’s success can be attributed to its ability to balance genuine character development with consistent comedic situations. Luna’s journey from a perpetually embarrassed and clumsy bloodsucker to a more confident individual, thanks in large part to Tatsuta’s unwavering support, provides a satisfying character arc that transcends the simple premise. The supportive and often hilarious dynamic between the main duo has been a key draw, creating a feel-good atmosphere that makes the series a comforting and enjoyable read.
Its legacy will likely be sustained by the upcoming anime adaptation, which is poised to introduce Luna and Tatsuta to an even broader global audience. Anime adaptations often reignite interest in source material, leading to increased sales of manga volumes and creating a new wave of appreciation for the original work. Even after the final chapter is released, the anime will carry forward the essence of Kyōsuke Nishiki’s vision, ensuring that Li’l Miss Vampire Can’t Suck Right remains a cherished title within the realm of modern shonen comedy.
What Lies Ahead for Fans
With the manga’s conclusion set for August 8, fans can anticipate the definitive ending to Luna and Tatsuta’s story in print. This final chapter will be a pivotal moment, offering closure to the narrative arcs developed over the past four years. While the serialization in Monthly Dragon Age will cease, the story’s journey is far from over for its global fanbase.
Beyond the final manga chapter, the most significant event for the franchise is the premiere of the Li’l Miss Vampire Can’t Suck Right anime television series in 2025. This adaptation will reintroduce the charming characters and comedic situations to a new medium, providing fresh interpretations of beloved moments and potentially expanding on the world of the series. For those who enjoy collecting physical copies, the existing eight tankōbon volumes will remain available, allowing new readers to discover the completed story. The English-licensed volumes from Yen Press and digital releases from Kadokawa on BookWalker Global will also continue to ensure accessibility for international audiences. As the final chapter approaches, anticipation builds for both the ending of a beloved manga and the beginning of its next chapter in animation, promising a continued presence for Li’l Miss Vampire Can’t Suck Right in the world of Japanese pop culture.
